Most sequels stink. A lot. George MacDonald, the first fantasy master, managed to buck that trend with the sequel to "The Princess and the Goblin," with "The Princess and Curdie." If anything, this book is even better than the first -- a bit more mature, a little bit darker, but with the same haunting prose and likeable characters.

In the time since the defeat of the goblins, Curdie has gone back to his life as a miner. Unfortunately he also begins to stray from the pure actions he showed in the first book, pushing aside thoughts of Princess Irene's grandmother and trying to convince himself that the more supernatural events of "Goblin" were just imagination. Until he needlessly wounds a pigeon with his bow and arrow, and takes it to the stately, mysterious Grandmother.

As Curdie regains his innocence and his faith, the Lady sends him on a quest, with a weird doglike creature called Lina who was once a human. She also (by having him stick his hands into burning roses) makes his hands able to feel a person's soul when he touches them, if a person is "growing into a beast" on the inside. Now Curdie and Lina set off for the capital, where Irene's father is physically ill, and falling prey to the scheming of his sinister officials.

If the first book was Irene's, then this book is undeniably Curdie's. The focus is on him almost constantly through the book, and it's his internal struggles that we are fascinated by. Every person (well, most of them, anyway) eventually loses their childlike faith and innocence, as Curdie has begun to do at the beginning. He's naturally a more skeptical person than Irene, and so time begins to fade whatever he thought he saw; also, being "one of the guys" in the mine requires a seemingly more mature attitude. But with the loss of innocence also goes some of the faith and internal beauty, and so MacDonald brings Curdie back to the gentle, trusting kid he was in the first book.

The Lady (also known as Irene's great-great-great-grandmother, Lady of the Silver Moon, and Mother Wotherwop -- don't ask about the last one) is also a more prominent figure. She's still both maternal and supernaturally distant, very warm while also seeming to know everything. Precisely who and what she is remains a mystery, but we see more of her subtle, awe-inspiring powers here.

The writing is, as the first book was, immensely dreamy and haunting. MacDonald let rip with the surreally beautiful descriptions of the Lady's room and appearances, and of scenes like Curdie sticking his hands into the rose petals. Like in "Princess and the Goblin," the plot takes awhile to get moving, but it's so well-written that you probably won't notice.

"The Princess and Curdie" is currently harder to find than the first book, which strikes me as a little odd. (Especially since this duology is just screaming to be compiled in one book) But anyone who enjoyed the first book, or even just enjoys a gorgeously-written fantasy, will definitely want to get this sequel.

'The Princess and Curdie' is a superb sequel to the brilliant children's fantasy 'The Princess and the Goblin'. In both books, MacDonald displays his incredible talent as a story-teller for children, by crafting a tale that makes great reading aloud material for children. Curdie, a miner's son, is sent by a magical princess on an urgent quest to save the king and his kingdom. His companion is Lina, an ugly monster of a dog who proves to be a steadfast, powerful and courageous companion. Curdie discovers that evil and wickedness threaten to overthrow the good kingdom of the king and his daughter Irene, and it is only when Curdie and Lina escape perils and dangers and marshal together the forces of good that the dangers can be overcome.

In the process of telling the story, MacDonald entertains a few curious notions rather surprising for a Christian. Especially surprising are the ideas of a mountain being bubbles of heat thrust from the center of the earth (p.2), and the earth being a cooled body that flew off the sun (p.3) ' ideas more akin to evolutionary thinking than Christian faith in the Biblical teaching about creation. This book is also somewhat different from 'The Princess and the Goblin' on a literary level, because in this book MacDonald's story-telling at times employs vocabulary and sentence structure that is overly complex for children, and at times he waxes overly philosophical.

But those weaknesses aside, it's a thrilling and captivating story of an exciting quest, enhanced by deeper underlying Christian themes. MacDonald describes the king as 'a real king ' that is, one who ruled for the good of his people and not to please himself.' (p.5). True citizens of this kingdom, such as Curdie's parents, are those who 'always loved what was fair and true and right better, not than anything else, but than everything else put together.' (p.35) In contrast there are many false citizens who have open doors but closed hearts, and who live a life of wickedness, chiefly characterized by lying, drinking, stealing and unkindness. These seeds of corruption also contain the seeds of destruction, and threaten to overthrow the kingdom. The morality is clear and solidly Christian.

Particularly fascinating is the concept that all humans are either noble human beings, or else slowly turning into animals on the inside. By putting his hands into a magical fire, Curdie is given the ability to perceive the inner layer of man by means of a handshake: 'you will henceforth be able to know at once the hand of a man who is growing into a beast.' (p.73) One cannot help but wonder if MacDonald has too much faith in human nature, since he does not spell out that it is only the regenerating Spirit that makes a heart true and noble. But the underlying truth is valid: all men's hearts are inclined to be beastly because of sin, but by the grace of God some hearts are changed to be noble and truly human. It echoes the truth of the teaching of Jesus Christ: where your heart is, there your treasure is, and ultimately you cannot serve both God and Mammon. Those who are overwhelmed by wickedness and by love of Mammon, are eventually destroyed, whereas those with a pure heart and love of God establish the kingdom of righteousness. The pessimism of the final ending raises many questions, but perhaps can be best explained as a growing wickedness among men leading to a complete and final judgment, similar to the flood and the end of the world. MacDonald's tale is in the end very reminiscent of the Biblical pattern of the Judges and Kings: in times of wickedness, God raised up judges and kings to ensure the establishment of a kingdom where justice and righteousness reigned.

Just as in the 'The Princess and the Goblin', Irene's great-great-grandmother plays a central and decisive role. She is also known as 'The Mother of Light', 'the Lady of the Silver Moon' and less affectionately as 'Old Mother Wotherwop'. MacDonald attributes to her both omniscience ' 'I am always about' ' and a measure of omnipotence (p.53). She is the Light that guides the way in darkness (p.50), and she it is who commissions Curdie for his quest and ensures its success.

These timeless tales contain enduring truths, as well as delightful stories. What they've done for over 100 years is something that they are still doing today - pleasing imaginative children and adults with a tale of lasting significance.

George MacDonald has the gift of expressing a deep theological idea through the form of a story.I grew up with his fairy stories,as a Adult,I am still affected by the skillful and beautiful portrayal of the quest for wisdom of a pure heart.The Princess and Curdie,is a story of just that.Curdies own journey is a story of the Christian walk and if one wishes can learn much from it.Do not get the idea that The Princess and Curdie is dull however!This book pays tribute to George MacDonalds fantastic imagination,as a child and as an "grownup" once picked up this book is difficult to put down.Perhaps the deepest things are also the most interesting.

I've said it in another review and I'll say it again: every home should have at least one Ruth Sanderson book in their children's bookshelves, and her retelling of 'The Twelve Dancing Princesses' would be a pretty good choice.

The king of a prosperous kingdom has twelve beautiful daughters, but is confused at the state of their shoes each morning - each pair is worn through, although the door to their bedroom is locked. Where are the princesses going and how are they getting out? Many men are sent to guard the princesses with the promise that if they solve the mystery they may gain one of their hands in marriage, but all the young princes disappear by morning. But one day Michael comes to the castle as a helper to the gardener with the magical gift of an invisibility cloak given to him by an old woman on the road. Instantly smitten with the youngest princess Lina, Michael hides in the girls' bedroom under his cloak and watches them creep through a secret trapdoor, through glittering woods and across a vast lake to a castle... but how is a mere commoner supposed to inform the king of this and secure the love of his youngest daughter?

Ruth Sanderson once again brings to life a beautiful fairytale with her glorious oil paintings, making this a must for any bookshelf, or lovers of fairytales or fine art. Despite the fact there are twelve princesses, the illustrations are never cluttered, and Sanderson captures water, material, hair and even glances between one figure to another realistically, yet with a whimsical and fantasy touch. If there is one slight flaw, her colours are less bright than in other books - they are mostly pale yellows, blues or greens that give them a slightly washed out look when compared to the vividness of her other books such as 'The Golden Mare, the Firebird and the Magic Ring' and 'The Crystal Mountain', but this is most definitely one of her best narrative retellings. 'The Enchanted Wood' in my opinion still contains her best illustrations, but the story is rather weak. 'The Twelve Dancing Princesses' is the best choice for a melding of both art and storytelling skills.

Basically, girls will adore this, parents will love reading it, and if you take the time to persuade boys that is isn't a 'girly' book, then I'm certain they'll be intrigued enough by the mysterious midnight travels through the woods and the cunning of Michael to enjoy it too!

Having enjoyed looking at children's book since childhood this illustrated book is absolutely amazing. Each page is beautifully illustrated in Oil based paint, such exquisite artistry in a book made for children. The detail of each painting serves to tell the tale without words.

Ruth Sanderson's 'Twelve Dancing Princesses' is a fresh, deftly written take on the original fairy tale. The characters come alive, and the writing captures the childlike innocence of a fairy-tale world without being saccharine. However, what really makes this book stand out are the gorgeous illustrations. Sanderson's sumptuous oil paintings enrich the tale, and are works of art in their own right. Even without words, she knows how to create an atmosphere of mystery and of magic.

I read this book to my two-year-old in a doctor's office and ended up retelling the whole story to my husband that evening. We had to buy it we liked it so much, and we've read it over and over. It has great repetition and sound effects (my son loves to roar every time we get to that part). I also love the way it teaches children to be kind to others, even something that might seem scary like a dragon. It gave my parent ego a little boost too, since I'm often that "good knight" who's willing to get one last drink of water, read one last story, or give one last good night kiss. Definitely a must-read.

A sweet bedtime story with charming illustrations. The story has a lot of repetition and good opportunities to add fun sound effects making it lots of fun to read (over and over again!).

My two year old loves to listen to the story (even though it is more words than his typical picture books). I suspect this book is appealing to 2+ through 6 year olds.

A wonderful book! I love the illustrations and the onomonopias. However you spell that word. The dragons are darling. I'd kiss their scaly cheeks any night.

Carl Sommer does a great job of utilizing age old concepts in teaching children character education concepts through his stories. My son absoutely loved the book and it will be a must read book on our family list. The book is easy to read and is illustrated magnificiently. Virtues such as hard work, obedience, self-acceptance, perserverance, truthfulness, kindness and respect for parents are taught through this story. All things we are trying to teach our children.

This is a fun story that would be great for kids. It's a story that shows motives can be hidden but will usually be discovered. A great lesson for kids!

The Great Royal Race was one of my favorite Carl Sommer books. It's a story about Princess Elizabeth who must choose between three suitors to be become her new husband and the next king. Her father had a wonderful idea on how to find him, and put all three suitors to a true test of loyalty. As the story ends you find out who her true love really is as he passes the royal test. What a great lesson in loyalty, love and wisdom.

For years I have told the tale of the king, the mice and his cheese. I was so happy to find my favorite book from childhood available here on Amazon.com. I have been in search of it for years. This is a terrific book and you must get it today!!

We love this book! The artwork is excellent and inspires many funny voices and animal imitations! I read this book to my children's classrooms every year and it is a sure fire hit for every age (up to age 6 now) that I have presented it to.

I remember this from my childhood and kids today still love it. The artwork is particularly hilarious. A good segue into lessons about Middle-Eastern studies.

In 1925 A.A. Milne wrote this charming story and now Isabel Bodor Brown has added her utterly delightful illustrations and the people at Dutton Children's Books crafted all this magic into a darling of a book. The book itself is a beauty, a compact little volume with lavender covers that are speckled with little yellow flowers and a spine stamped in gold. The dust jacket is embossed with gold letters and features the sweet little Princess Daffodil framed in flowers with a beautiful pink dress and a smiling face. Before we even get to page one we are captivated by this engaging child. The story is at times gently humorous and at others it is wistful.
Daffodil's christening gift from her Fairy Godmother is the ability to grow flowers wherever she steps. The King doesn't think this is too practical and limits her access to the grounds. She wants to run and play freely like other children and in the end a happy solution is found. The illustrations are just brimming with delicate beauty and glorious colors. Daffodil is a little wonder and the fairies in the book are satisfyingly magical with gossamer wings and hair, while the Queen is a delicate beauty as a Queen should be. I love everything about this book.

The Magic Hill is an old fashioned fairy tale, complete with a happily ever after ending about a young princess who makes flowers grow wherever she walks. A.A. Milne wrote this delightful story 75 years ago, but it is as fresh and charming now, as I'm sure it was then. The illustrations by Isabel Bodor Brown are very special, beautifully drawn and compliment the text. An old story that will become a new classic. The Magic Hill is a treasure for the whole family to enjoy again and again.

A beautifully written, wonderfully illustrated work. My daughter and son both loved it.

"Rope Trick" is both similar and different from many of Lloyd Alexander's previous works, and it seems first and foremost to be a study on the characters rather than a story. Not that that's a bad thing -- Alexander's plot is intriguing, fresh, and has plenty of lovable and complex people.

Lidi is an excellent magician, but there is one magic trick that she doesn't know: The fabled rope trick. She and her kindly mentor Jericho rescue a neglected orphan from an abusive innkeeper, and find that little Daniella can predict the future. No sooner have the two made her an "Added Attraction" (she predicted that too) than they encounter a young outlaw named Julian sleeping under their wagon. A scuffle with soldiers sends them on the run to another province.

There they bump into many different people who have encountered the strange magician Ferramondo, who is seen differently by every person. He also knows the rope trick. Lidi begins a desperate search for Ferramondo, convinced that she will not be a true magician until she does. But sinister men are trying to get hold of Daniella for their own gain, and Julian is seeking revenge against "Baboon," the man who killed his uncle and drove him to become an outlaw.

This book is somewhat different from most of Alexander's books. The protagonist is a young girl rather than a boy (even the Vesper Holly books were narrated by a man) with a sad past, and there are more serious, melancholy themes. Julian in particular is a break from Alexander's naive young heroes-in-training, who learn their lessons along the way. It's also full of more introspection, as Lidi often stops to contemplate herself and others. The love story between Lidi and Julian is handled with delicacy, and goes very gradually over the book.

Perhaps the biggest problem is the finale. It's more than a little difficult to understand why what happens does happen, as it doesn't really seem to be entirely connected to the plotline behind it. It is, however, an interesting development and opens possible paths to a sequel; the various subplots are woven together like... well, like a rope. Alexander's writing is spare but amazingly evocative, and his dialogue is full of the same pep and charm as ever.

Fans of Lloyd Alexander will find an enjoyable tale of magic and mystery, and newcomers will enjoy this introduction to Alexander's work. Not his best, but a very good read.

This book was great!I tried to put it down, but found myself picking it up again. I liked the characters. Lidi isn't one of those mushy, shy girls that usually star in books. I really like Julian and Jericho and I definately loved Daniella. You should give this book a chance.

Let's get this straight - In his School Library Journal review of "The Rope Trick," that Amazon uses as a review of this book, John Peters gets nothing right, to the point that is makes me wonder whether he just flipped to the last few pages in order to mail in his review and collect a check.

This book is brilliant, a challenging work designed to tax the reading and comprehension levels of young teens. Besides giving away a major part of the ending, Peters badly misconstrues major themes in the work. This is a book about how we see God - in our own image, mostly - and how we each find our path to God. It is a major book for young teens that addresses issues such as causes of sectarian conflict as well as the individual's relationship to the Divine.

Read this book, and more importantly get your your young teenaged readers to read it, and then discuss it with them. You and they will not be disappointed. Ignore anything Peters writes - same result.

I love Michael Bolton as a singer. And his writing skills are excellent as well. But I found this book difficult to follow for me, and even more so for my 6th grade students. However, the pictures were outstanding! David Jermann is very detailed in his illustrations....a definate plus for this book.

Wonderful bardic mastery here; as if the myth of King Arthur came alive again, yet its ending still expands into a living energy of our continuance - for here there is no wounded fisher king, but rather a continuance of love - father to son, brother to brother, man to man - without a doubt. As a female, I am reminded strongly of the "Mists of Avalon" by Marion Zimmer Bradley, yet this tale is told from a male vantage point, who as of yet is only just beginning to discover that his lady love is real - as real as he. Complex yet so simply told, amazing mysteries of love unfolding from a point of ever-changing mysteries of all that we might yet now come to be.

The parallels of many Arthurian legends, and even a hint of "Avalon come true" are spoken here, within a form and style that must inspire the wee folk of our lives to live within its inspiration. I applaud this endeavor of artistry, and hope to see this lovely volume back in full publication again very soon.

Michaelette

http://michaelette.com

I really love Michael as a singer. I'm a fan of him since I started feeling sense of music. But I wasn't aware of his writing skills indeed. He has proved his writing skills after giving a great gift of the Secret of Lost Kingdom. The book is not infact just for childern there is something for every age, the morality, honor, truth and love. The heart touching and well illustrated story is really worth to be explored.

I really liked this book it had tons of neat stuff in it. If you like King Arthur, then you will love this book it has lots of excitement in it.And it starts out as a boy who doesn't know what knights and dragons or any of that good stuff is. And he finds out he is king and goes to get his kingdom back and he ends up going on a quest for the Holy Grail.
I really liked this book .it is fun to read and has lots of potential so I recommend it to all ages it was fun for me to read and was really bone chilling and the edge of your seat kind of book.
I loved this book because it was about knights and dragons and other strange and unusual things cause that's is what I'm into. This book is a good book for all ages and I recommend it for everyone.
So sit back and relax and read a good book Perzival, and the quest for the grail knight.

The book Parzival is about a young man who has a desire to become a knight. He goes to King Arthur's court and then becomes a knight and a king. He goes on a quest for the Holy Grail after he lets down a sick king. He encounters many adventures and learns a lot about god and who god is. He finally goes back to the king that he let down many years before and he finds the Holy Grail and heals the king.
I think the book Parzival is a very good book. It was exiting and suspenseful. I would highly recommend this book for anyone who wants to learn about King Arthur. I really enjoyed this book and I hope you will to.

"Parzival" is an excellent story, the story of a young man who learns about God, hope, faith and the will to continue.

Parzival's mother has kept her sheltered son from knowing about knights, but when Parzival runs into three on a road, he can't be content until he is one. He sets off for Camelot, determined to follow his dead father's footsteps. But he soon discovers that knighthood is not all chivalry and flashing armor. Despite humiliation, dishonor, despair, and a curse, Parzival's innocence and goodness carry him through to the end.

Paterson chose to write this story in formal prose, but that doesn't keep the hero's appeal from shining through. Parzival perhaps understands such commands as "Thou Shalt Not Kill" best--when defeating a foe, he gives them a chance to redeem themselves, and beats himself up mentally when he does something careless. Readers ache for him when he is laughed at and then cursed, or refuses to get rid of the shabby clothes his mother made him. Readers will also cheer when he makes up for his past, innocent wrongs.

In a bookworld that lacks good, old-fashioned heroes, Parzival is a fearless guy that every boy will want to be like, and a role model that parents will adore. This legend is great, and the retelling is even better.